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Shaw Carpet Home





shaw carpet home






    carpet
  • A large rug, typically an oriental one

  • A thick or soft expanse or layer of something

  • cover completely, as if with a carpet; "flowers carpeted the meadows"

  • A floor or stair covering made from thick woven fabric, typically shaped to fit a particular room

  • form a carpet-like cover (over)

  • rug: floor covering consisting of a piece of thick heavy fabric (usually with nap or pile)





    shaw
  • United States humorist who wrote about rural life (1818-1885)

  • United States clarinetist and leader of a swing band (1910-2004)

  • A small group of trees; a thicket

  • United States physician and suffragist (1847-1919)





    home
  • Of or relating to the place where one lives

  • at or to or in the direction of one's home or family; "He stays home on weekends"; "after the game the children brought friends home for supper"; "I'll be home tomorrow"; "came riding home in style"; "I hope you will come home for Christmas"; "I'll take her home"; "don't forget to write home"

  • home(a): used of your own ground; "a home game"

  • Made, done, or intended for use in the place where one lives

  • Relating to one's own country and its domestic affairs

  • provide with, or send to, a home











shaw carpet home - Shaw 22




Shaw 22 oz. R2x Area Rug Spot Cleaner


Shaw 22 oz. R2x Area Rug Spot Cleaner



If you've been looking for an easy way to care for your floors, you'll love R2X! R2X Carpet Stain & Soil Remover gets rid of tough household spills and stains on carpet. When Shaw the worlds largest carpet manufacturer first introduced our patented and exclusive R2X stain and soil repelling system in 2001 after years of research and testing, it quickly became the industrys fastest-growing protective treatment. Now, the power of Shaws R2X is available for home use for both carpet and hard surface flooring. And its the only floor cleaning product with the endorsement consumers have trusted for more than 100 years: the Good Housekeeping Seal. The Good Housekeeping Seal










83% (15)





he loved justice and hated oppression




he loved justice and hated oppression





St John the Baptist, Thaxted, Essex

CONRAD NOEL, VICAR OF THAXTED 1910-1942
HE LOVED JUSTICE AND HATED OPPRESSION

Bronze head by Gertrude Hermes

Fr Conrad Noel, Christian Socialist, Anglo-Catholic, English Nationalist, the 'Red Rector of Thaxted'.

In 1910, a young London Priest called Father Conrad Noel was appointed to the living of Thaxted. He was a man of enormous energy and talent, and transformed Thaxted into a maelstrom of political and cultural activity. He remained vicar of Thaxted until his death in 1942.

Conrad Noel set about galvanising the little town, making it a national centre for the English Crafts movement. When Arthur Mee visited Thaxted church in the 1940s he found the church hung and carpeted with colour, its tapestries, banners and vestments being the magnificent work of modern craftsmen inspired by the enterprise and fine judgement of the late incumbent (Conrad Noel) and his wife. Some of them we have all seen, for they were exhibited at the Wembley Exhibition (the Empire Exhibition of 1921). Today, almost all of these banners are gone.

The parish became a centre for other revived English traditions. Fr Noel's undoubted charisma, and his insistence that Christianity was about beauty and ritual, attracted many well-known artists, musicians and folklorists to Thaxted. The folk revival was happening across Europe in the 1920s and 1930s, and it is no coincidence that the Morris Ring found a friendly home in the town. English Morris Dancing still sees Thaxted as its home.

The composer Gustav Holst moved to Thaxted, and Holst and Noel collaborated on musical events, creating the Thaxted Festival which still takes place every summer. Holst regularly played the organ at Mass in Thaxted church, and his compositon Thaxted, a reworking of the Jupiter theme in his Planets Suite, is best known today as a setting for the words of I Vow to thee my Country. When it was reused by the BBC for the Rugby World Cup anthem World in Union, the royalties went to Thaxted church.

Working with them was Percy Dearmer, another left-wing Priest and musicologist. He was responsible for popularising Anglo-Catholic forms of liturgy and worship based on his research into the music and liturgy of the medieval church. He was also editor of the Oxford Book of Carols which almost single-handedly reintroduced the idea of Christmas carol services to English churches.

Other musical figures who became associated with Thaxted included the composers Ralph Vaughan Williams and Martin Shaw. Vaughan WIlliams already had a considerable track record in collecting English folk tunes and working them into his own compositions. Shaw, best known today for hymn tunes like Little Cornard ('Hills of the North Rejoice') and Bunessan ('Morning has Broken'), wrote an Anglican Folk Mass for Thaxted church.

Another prominent figure in the Thaxted Movement was Joseph Needham, Cambridge professor and expert on Chinese Medicine, whose intellectual rigor gave a backbone to the folk tradition which Noel was allowing to live and breathe in his parish. Needham and his wife Dorothy were promoters of the Gymnosophist movement, in which young gymnasts would perform their routines naked, as in Ancient Greece. Gymnosophy was very popular in Germany in the 1920s and 1930s, but perhaps it is as well that it did not catch on in Thaxted.

Conrad Noel had been one of the founders of the Church Socialist League in 1906, but he left it in 1918 to found the Catholic Crusade. Like several Anglo-catholic Priests, Noel was also a member of the Independent Labour Party, and in 1911 he became a founding member of the British Socialist Party. In the 1920s, his most notorious action was to hang the Socialist Red Flag, the Irish Tricolor and the English Flag of St George side by side in the south transept.

It is worth saying that, even today, hanging the Flag of St George in a parish church is unusual, and in Noel's day it was considered suspicious, for the more usual flag to be hung in parish churches is the Union flag as a sign of the protestant credentials of the Established Church. The flag of St George was considered evidence of Anglo-Catholic sympathies. The Irish Tricolor was even more controversial of course, for Ireland, although not yet a republic, was a newly independent nation which had broken away from the Union, an aspiration which some in the Thaxted Movement held for their beloved England.

Flying the red flag was an act of provocation, and flying the three flags together was quite outrageous, and unforgiveable. On at least one occasion, Cambridge undergraduates travelled to Thaxted church to remove the flags, ceremoniously pulling them down, sparking off fist-fights and other disturbances. Noel himself was accused of sedition in the House of Commons. Eventually a consistory court ruled against his displaying the three flags, and Noel obeyed the rulin











Angus and Heather's House




Angus and Heather's House





We stayed at Angus and Heather's home in the borough of Islington while they stayed at our home in Johannesburg, South Africa.

They live in the district of Tufnell Park. From my favourite source of trivial information, Wikipedia:

"Tufnell Park Road runs along the line of an old Roman road which stretches from the Roman camp beneath Barclays Bank and Batten's Carpets on the Holloway Road up Dartmouth Hill and over Hampstead Heath. For centuries the area was renowned for its dairy farms which kept London to the south supplied with milk.

It kept a rural air well into the 19th century in its important role as a base for a number of dairies supplying the capital. In 1753 the area became the property of William Tufnell who was granted the manor of Barnsbury by his father in law Sir William Halton. The manor (now demolished) stood on the site of the Holloway Odeon. The manor's gateposts can still be seen however on Tufnell Park Road. Tufnell petitioned parliament for permission to develop his estate but the leases he was granted were left unused. William's father was Samuel Tufnell of Langleys in Essex

The estate passed to his brother George Tufnell MP (d 1798) then to his son William Tufnell (d 1809) who married into a fortune owned by Mary Carleton in 1804, hence her maiden name appearing as two street names in N7. The manor then passed to Henry Tufnell MP (d 1854) then to Henry Archibald Tufnell (d 1898) then to Lt Col Edward Tufnell (d 1909)

Serious building began in the 1845 with a scheme sponsored by Henry Tufnell and designed by John Shaw Jr - who had laid out the Eton Estate in Chalk Farm. This initial work was largely limited to the area around Carleton Road. In 1865 the scheme was taken up by George Truefitt who developed most of the local villas and St. George's Church (1865) - built for Anglican secessionists. The housing stock was of a solid nature, and Tufnell Park kept its good name until the end of the century. Charles Booth in his survey of London Life and Labour reported that the older streets (Anson Road and Carleton Road) housed a mixture of retired merchants and music hall artistes who were rich enough holiday abroad over winter. He believed that second wave of building around Hugo, Corinne, Huddleston and Archibald Roads threatened to create a metropolis "from which the rich would soon be going". "










shaw carpet home








shaw carpet home




Diamond Baratta Design






Diamond Baratta is one of the hottest design teams around and they are regularly featured in Architectural Digest, the New York Times, House and Garden and Veranda magazines. Dubbed "Decorating's Dynamic Duo" by House Beautiful, William Diamond and Anthony Baratta are known for enlarged scale and genius color interpretation. Theirs is a bold, vivid, vivacious style that is not for the faintheartedt. They are also known for their gold-medal perfection and have developed a stable of craftspeople, fabric weavers, rug braiders, needlepoint artists and metal artisans who can meet their stringent standards. These high standards have guaranteed them innumerable happy repeat clients. They are also beloved for their fearless playfulness. They often build their designs around motifs: cowboy-print fabrics and other western icons in the Rockies; lighthouses and other nautical symbols on the seacoast or giant Parcheesi and chess-board patterns on rugs, pillows, and upholstery. Chapters in the book are broken down by theme, such as Young Moderns, Folk Art, Bold Themes, Modern Pastels and Traditional Elegance. With 275 full-color photographs, each spread is a visual feast that will keep pages turning.










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